This ceramic hand-thrown and fired using the Saggar technique with eucalyptus ash, produces dark and brooding undertones and delicate glazing.
The dedication, time and skill that goes into throwing large ceramic urns is the mark of a true craftsman. While this puts them at a higher price point than your average urn; they are works of art, investments, timeless objects that are a tribute to memorialising your person.
Storing ashes recommendation
We recommend ashes are placed in a sealed bag, inside a decorative woven bag.
Always handle with care and keep upright when ashes are inside.
Capacity and measurements
Dimensions: H 21cm x W 18cm
Capacity: 2L approx. Will fit 3/4 of adult ashes
Material: Ceramic
We feel incredibly lucky to be able to offer an exclusive collection of hand-thrown urns made by the late master potter, Peter Accadia. The Last Hurrah Funerals cared for Peter after his death in 2025.
Peter worked with Stoneware, Porcelain and Raku and experimented with Saggar firing, involving firing pieces inside ceramic containers with various combustible materials such as shells, paper, wood and even spent grapes to personalise his pieces.
This ceramic hand-thrown and fired using the Saggar technique with eucalyptus ash, produces dark and brooding undertones and delicate glazing.
The dedication, time and skill that goes into throwing large ceramic urns is the mark of a true craftsman. While this puts them at a higher price point than your average urn; they are works of art, investments, timeless objects that are a tribute to memorialising your person.
Storing ashes recommendation
We recommend ashes are placed in a sealed bag, inside a decorative woven bag.
Always handle with care and keep upright when ashes are inside.
Capacity and measurements
Dimensions: H 21cm x W 18cm
Capacity: 2L approx. Will fit 3/4 of adult ashes
Material: Ceramic
We feel incredibly lucky to be able to offer an exclusive collection of hand-thrown urns made by the late master potter, Peter Accadia. The Last Hurrah Funerals cared for Peter after his death in 2025.
Peter worked with Stoneware, Porcelain and Raku and experimented with Saggar firing, involving firing pieces inside ceramic containers with various combustible materials such as shells, paper, wood and even spent grapes to personalise his pieces.
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